Carver's (Art) Missy

Fotografia atribuída — identidade não confirmada de forma conclusiva

Attributed to Tudor’s Dibo · Photographer unknown · Embedded figure in Mariano Peinado’s FIAPBT historical report. Source JPEG and complete frame retained; WebP variants by PITVU.

Fonte da fotografia · Base para reutilização

The selected JPEG is embedded in Mariano Peinado’s historical Dibo report immediately before the caption Tudor’s DIBO, after the separate Corvino’s Shorty figure. The page discusses the1951dog associated with Heinzl, Smith, Hubbard’s Bounce and Heinzl’s Bambi, matching the existing PITVU identity. Its original photographer, exposure date and primary photographic caption have not been established. Attribution is plausible from the explicit historical caption, not conclusively authenticated; shown as an attributed photograph, not counted as established. Other nearby pictures explicitly depict CrazyJoe, ArizonaPete, Gimp and BlackWidow and are not substituted.

The publisher-author authorizes copying and distribution of La Leyenda, which embeds the same standing Dibo photograph. PITVU relies on that article-specific declaration. The retained historiadibo page supplies the current JPEG, but its snapshot does not contain the quoted permission. The photograph, original hash, credits and uncertainty are retained. The underlying photographer, earliest publication and complete historical rights chain are not independently established; no blanket permission, public-domain or Creative Commons licence is claimed.

Tudor’s DIBO

Fotografia atribuída — identidade não confirmada de forma conclusiva

Attributed to Carver's Black Widow. Historical photographer unknown. Captioned figure in Mariano Peinado’s signed Carver article (Villa Liberty). Full source PNG retained; WebP variants by PITVU without enlargement.

Fonte da fotografia · Base para reutilização

The signed article explicitly captions this embedded figure as CARVER'S BLACK WIDOW. Its v:imagedata resource is image012.png; the JPEG browser fallback is the same frame, not another publication. The named subject and historical context match existing FIAPBT record8 and the persistent PITVU profile carvers-black-widow. The full available image was visually inspected and source hashes retained. The source attribution is not independent photographic authentication; photographer and first publication are unestablished.

Mariano Peinado’s signed article expressly authorizes copying and distribution of the article. PITVU relies on that publisher-author authorization for this exact embedded, captioned figure; no figure-specific exclusion was found. The full article capture, figure linkage, original file and SHA-256 are retained. The historical photographer, first publication and complete underlying rights chain remain unestablished and are not independently certified. This is not a public-domain or Creative Commons assertion and grants no permission for unrelated galleries or database photographs.

CARVER'S BLACK WIDOW

Fotografia atribuída — identidade não confirmada de forma conclusiva

Attributed to Tudor’s Dibo · Photographer unknown · Embedded figure in Mariano Peinado’s FIAPBT historical report. Source JPEG and complete frame retained; WebP variants by PITVU.

Fonte da fotografia · Base para reutilização

The selected JPEG is embedded in Mariano Peinado’s historical Dibo report immediately before the caption Tudor’s DIBO, after the separate Corvino’s Shorty figure. The page discusses the1951dog associated with Heinzl, Smith, Hubbard’s Bounce and Heinzl’s Bambi, matching the existing PITVU identity. Its original photographer, exposure date and primary photographic caption have not been established. Attribution is plausible from the explicit historical caption, not conclusively authenticated; shown as an attributed photograph, not counted as established. Other nearby pictures explicitly depict CrazyJoe, ArizonaPete, Gimp and BlackWidow and are not substituted.

The publisher-author authorizes copying and distribution of La Leyenda, which embeds the same standing Dibo photograph. PITVU relies on that article-specific declaration. The retained historiadibo page supplies the current JPEG, but its snapshot does not contain the quoted permission. The photograph, original hash, credits and uncertainty are retained. The underlying photographer, earliest publication and complete historical rights chain are not independently established; no blanket permission, public-domain or Creative Commons licence is claimed.

Tudor’s DIBO